For Esposito, 66, it’s proof that risks are worth taking. Combined, the songs have earned over 1 billion global streams. Gabby Barrett continued her shift from new artist to budding superstar with “I Hope” and “The Good Ones,” becoming the first female to take her first two proper singles to No. 1 on Hot Country Songs since the list adopted its multi-metric methodology in 2012. National director of radio and streaming, Warner Music Nashville Senior vp radio and streaming, Warner Music Nashville Words and actions have consequences - be prepared to own yours.” -Dungan “Alan has made his ultimate love story to country music with Where Have You Gone,” says Dungan, “and it’s teaching each of us why country music matters.”Īdvice For Any Artist Posting on Social Media: “Understand that many fans take sport in building them up and then tearing them down. Jackson returned with his first album in six years, a deeply traditional release that bowed at No. 2 on Top Country Albums. “She is truly one of the greatest singers of our time,” says Dungan. Underwood’s first faith-based album, My Savior, debuted at No. 1 on Billboard’s Top Country Albums and Christian Albums charts. In addition to success with new artists like Parker McCollum, UMGN superstars Carrie Underwood and Alan Jackson reached new heights. President, Universal Music Group NashvilleĬOO/executive vp, Universal Music Group NashvilleĮxecutive vp A&R, Universal Music Group NashvilleĮxecutive vp promotion, Universal Music Group Nashville I Discover New Country Artists By: “Trying to listen to music every night.”Ĭhairman/CEO, Universal Music Group Nashville Curb is also proud of co-producing the Fisk Jubilee Singers’ 150th-anniversary album, Celebrating Fisk!, which won the Grammy Award for best roots gospel album in March. Borchetta, 58, continues to keep his eyes and ears open for new talent, noting: “They come from anywhere and everywhere.”Īrtist I Most Want to See Live When Touring Returns: “Rage Against the Machine.” -BorchettaĬhairman, Curb Records/Curb | Word EntertainmentĬurb’s recent successes include Lee Brice’s two No. 1s on the Country Airplay chart (“One of Them Girls” and “I Hope You’re Happy Now,” a duet with Big Machine’s Carly Pearce, which snagged the ACM Award for single of the year) while for King & Country earned its eighth No. 1 on Christian Airplay with “O Come, O Come Emmanuel” (featuring Needtobreathe). Carly Pearce won her first awards from the Academy of Country Music and the Country Music Association (CMA), for “I Hope You’re Happy Now” with Lee Brice, and Tim McGraw returned to both the label and the top of the charts with Here on Earth, a No. 1 debut on Billboard’s Top Country Albums chart. In the past year, Big Machine Label Group scored victories with both developing artists and veterans. Many of the leading women heard on country radio today - Maren Morris, Kelsea Ballerini, Carly Pearce, Gabby Barrett - are NWOC graduates.įounder/president/CEO, Big Machine Label GroupĮxecutive vp A&R, Big Machine Label Group In 2013, frustrated that female artists like Brandy Clark were struggling to get airplay on terrestrial country radio, she launched Next Women of Country, a signature CMT effort that bolsters 10 rising female acts each year through placements on all CMT platforms and social media, as well as a national tour. Since starting at CMT in 2011, Fram, who oversees all musical integration within the brand - including original programming, CMT.com and music video airplay across all CMT platforms - has been a fierce supporter of all country artists, especially burgeoning acts, as well as an outspoken advocate for diversity and inclusion. She mentors artists daily - and it’s safe to say that she has never flung anything at them other than a compliment or some helpful advice. “I remember thinking, ‘Hey, I can’t take that tactic if I’m ever in the position to mentor or help someone.’ ”įast forward a few decades, and Fram is in precisely that kind of position as CMT’s senior vp of music strategy and talent. “He threw the cassette across the table and said, ‘You haven’t improved one bit,’ ” she recalls. In the mid-’80s, Leslie Fram was a fledgling DJ working her way through college at top 40 station WABB-FM in Mobile, Ala., when its program director critiqued her aircheck in a manner so harsh, it’s still seared in her memory.
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